Museums, Детальна інформація

QUEEN VICTORIA’S PALACE

At the age of eighteen, Queen Victoria became the first Sovereign to live at Buckingham Palace.

John Nash had rightly predicted that the Palace would prove too small, but this was a fault capable of remedy. The absence of a chapel was made good after the Queen’s marriage to Prince Albert of Saxe-Coburg and

Gotha, when the south conservatory was converted in 1843.

In 1847 the architect Edward Blore added the new East Front. Along the first floor Blore placed the Principal Corridor, a gallery 240 feet long overlooking the Quadrangle and divided into three sections by folding doors of mirror glass. It links the Royal Corridor on the south, and opens into suites of semi-state rooms facing the Mall and St James’s Park. Blore introduced into the East Front some of the finest fittings from George

IY’s Royal Pavilion at Brighton, which Queen Victoria ceased to use after the purchase of Osborn House in 1845.

The new building rendered the Marble Arch both functionally and ornamentally dispensable, and it was removed in 1850 to its present site at the north-east corner of Hyde Park.

THE STATE ROOMS

Most of the principal State Rooms are located on to first floor of

Bughingham Palace. They are approached from Nash’s Grand Hall which in its unusual low proportions echoes the original hall of Bughingham House.

The coupled columns which surround the Hall are each composed of a single block of veined Carrara marble enriched with Corinthian capitals of gilt bronze made by Samuel Parker.

The Grand Staircase, built by Nash on site of the original stairs, divides theatrically into three flights at the first landing, two flights curving upwards to the Guard room. The gilded balustrade was made by

Samuel Parker in 1828-30. The walls are set with full-length portraits which include George III and Queen Charlotte by Beechey,William IY by

Lawrence and Queen Adelaide by Archer Shee. The sculptured wall panels were designed by Thomas Stothard and the etched glass dome was made by

Wainwright and Brothers.

GALLERY

The picture Gallery, the largest room in the Palace, was formed by

Nash in the area of Queen Charlotte’s old apartments. Nash’s ceiling, modified by Blore in the 1830s, was altered by Sir Aston Webb in 1914.

As there are many loans to exhibitions, the arrangement is subject to periodic change. However the Gallery normally contains works by Van Dyck,

Rubens, Cuyp and Rembrandt among others. The chimneypieces are carved with heads of artists and the marble group at the end, by Chantrey, represents

Mrs Jordan, mistress of William.

From the Suilk Tapestry Room the route leads via the East Gallery,

Cross and West Galleries to the State Dining Room. This room is used on formal occasions and is hung with portraits of GeorgeIY, his parents, grandparents and great-grandparents.

THE PALACE AT WORK

BUCKINNGHAM Palace is certainly one of the most famous buildings in the world, known to millions as Queen’s home. Yet it is very much a working building and centre of the large office complex that is required for the administration of the modern monarchy.

Although foreign ambassadors are officially accredited to the Court of

St James’s and some ceremonies, such as the Proclamation of a new Sovereign, still take place at St James’s Palace, all official business now effectively takes place at Buckingham Palace.

In some ways the Palace resembles a small town. For the 300 people who work there, there is a Post office and a police station, staff canteens and dinning rooms. There is a special three-man security team equipped with a fluoroscope, which examines every piece of mail that arrives at the

Palace.

There is also a soldier who is responsible for making sure the Royal